Lecture: The Origins of Comics Criticism

roger-sabin-lecture-imageDr Roger Sabin

Professor of Popular Culture
Central Saint Martins
University of the Arts London

London, 5 October 2016, 5:30 pm

Admission free; please register for this event on our Eventbrite page here.

Warburg Institute
Woburn Square
London WC1H 0AB

 

Roger Sabin, Professor of Popular Culture at Central Saint Martins, University of the Arts London, will give a lecture on the way in which the new medium of comics was perceived by critics in the late 19th century, focusing on the UK (at the time the world-leading producer). The late Victorian period saw an increasingly intense discussion about ‘culture’ – what it was, and where it was heading – spurred by the growth of working class leisure pursuits, and middle class concerns about them.  Weiterlesen

Conference: Aby Warburg 150. Work. Legacy. Promise.

13 June – 15 June 2016

Venue: UCL Institute of Education, 20 Bedford Way, London WC1H 0AL

Conference celebrating the life, work and impact of Aby Warburg including a screening of Aby Warburg: Metamorphosis and Memory (60 minutes. 2016), a film by Judith Wechsler.

On 13-15 June 2016, the Warburg Institute celebrates the 150th anniversary of the birth of Aby Warburg. At the centre of this commemoration is a conference dedicated to his work and heritage. It will reclaim the centrality of Warburg’s thought and vision not only for the London Institute but for the world of international scholarship. A large group of distinguished scholars will discuss the implications of his thought for the history of art, images and cultures. The aim will be not only to illuminate the past, but to reveal the potential of his writings for the debate about contemporary cultural differences as well.

NB: Registration for Sessions 4 & 5 (15th June) has closed, but places are still available for Sessions 1-3 (13th and 14th June). For any queries please email warburg@sas.ac.uk.

All sessions are available to view online via live streaming during the conference. Please click on the appropriate link to be redirected to the live stream:

 Monday 13 June (Day 1)

Tuesday 14 June (Day 2)

 Wednesday 15 June (Day 3)

For the live stream available from Germany (all sessions), please click on the following link:
Live stream from Germany

For more information and the programme of the conference, please visit the Warburg Institute website.

This conference is generously supported by the following organisations:

Max Kohler Stiftung
Martha Pulvermacher Stiftung
Samuel H. Kress Foundation
German Federal Ministry of Education and Research / Bilderfahrzeuge Project
Warburg-Haus

 

Conference: Botticelli

To coincide with the exhibition Botticelli Reimagined, this two-day international conference will explore our perception of Botticelli“s artistic practice, legacy and fame, as well as its impact and reception from fifteenth century to the present. Organized by the Victoria and Albert Museum in collaboration with the Warburg Institute and the Bilderfahrzeuge, this event will bring together international scholars to consider how the art of the past remains a principal source for contemporary practice.

This conference is generously supported by the Kress Foundation and the Italian Embassy.

London, 13 & 14 May 2015, 10.30 – 17.00

Buy tickets

Botticelli Conference Programme (as pdf)

NB: This conference is taking place at the Victoria and Albert Museum.

The Lydia & Manfred Gorvy Lecture Theatre

Victoria and Albert Museum

Cromwell Road

London SW7 2RL

Conference: Das verirrte Kunstwerk. Funktion und Rezeption vom Wege abgekommener ›Bilderfahrzeuge‹

Warburg-Haus, Heilwigstraße 116, 20249 Hamburg, 25.-26. April 2016

Jahreskonferenz des Forschungsverbundes »Bilderfahrzeuge – Warburg’s legacy and the future of iconology«

Organisiert von Uwe Fleckner, Elena Tolstichin und Isabella Woldt
Universität Hamburg, Kunstgeschichtliches Seminar

PROGRAMM

25. April 2016

Entführte Kunst / Abducted art

11.00 Uhr
Begrüßung und Einführung
Uwe Fleckner / Elena Tolstichin

11.15 Uhr
Strangers in paradise
Die Verschleppung byzantinischer Seidenarbeiter nach Sizilien
Johannes von Müller

12 Uhr
Kaffeepause

12.30 Uhr
Kunst und Feldzug
Artefakte als Beute im Alten Orient
Babette Schnitzlein

13.15 Uhr
(News) Stories from the Middle East
Removed artefacts, recycling, and the ethical agenda against illicit trade
Mirjam Brusius

14.00 Uhr
Mittagspause

Missverstandene Bilder / Misunderstood images

15.00 Uhr
The naked fetish
Carl Einstein and the Western canon of African art
Uwe Fleckner

15.45 Uhr
White skin, black masks
The native/exotic in Brazilian Modernism
Rafael Cardoso

16.30
Kaffeepause

17.00
Verhängnisvolle Mobilität
Das »Goldene Zeitalter« der Bildtapisserie
Isabella Woldt

26. April 2016

Transfer – Transformation – Translation

10.15 Uhr
Konversionen der »Religio«
Rekonstruktion eines bildgestützten Diskurses
Elena Tolstichin

11.00 Uhr
Metamorphosis of ruins
Some reflections on reconstruction practices around 1900
Maria Teresa Costa

11.45 Uhr
Kaffeepause

12.15 Uhr
Translation processes in the religious art of the early modern period
The mission in New Spain
Margit Kern

13.00 Uhr
Looking at the New Hispanic folding screens’ many faces
Iconic translation and transformation
Emilie Carreón Blaine / Linda Báez Rubí

13.45 Uhr
Mittagspause

Verschobene Objekte / Displaced objects

15.15 Uhr
Moving sculptures
Southern Netherlandish alabasters in Central and Northern Europe
Aleksandra Lipinska

16.00 Uhr
Building the Alhambra abroad
The Alhambra cupola in Berlin and other moving parts
Anna McSweeney

16.45 Uhr
Kaffeepause

17.15 Uhr
Expatriates, diasporic or common goods?
Variations of Islamic arts on display
Eva-Maria Troelenberg

Keynote lecture

18.00 Uhr
Memory, nostalgia, repatriation
Political claims on antiquities
James Cuno

Um Anmeldung bis zum 10. April 2016 wird gebeten (eva.landmann@uni-hamburg.de).

Conference „Hybrid Creations: Trade Between Europe, the Americas and Asia and Its Transcontinental Impact on Art in the Early Modern Age of Globalization“

Conference at the University of Bern, September 24 and 25, 2015

Organization and conception: Linda Báez Rubí (Instituto de Investigaciones Estéticas, UNAM/Project Bilderfahrzeuge, Warbung Institute, London) and Raphaèle Preisinger (Institute for Art History, University of Bern)

The emergence of maritime trade routes between Europe, the American continent and
Asia in the 16th century heralded a new era of economic relations that was characterized
by a vital exchange of cultural goods. Images of all kinds may be reinvestigated against
the background of trade between Europe, the Americas and Asia in the early modern
period. Two important trade routes linked all three continents during this era, the route of
the Portuguese India fleet (Carreira da Índia), which circulated between Lisbon and Goa,
Malacca and Macau and halted in the ports of Salvador und Rio de Janeiro, and the
maritime route proceeding from Spain to Veracruz on the Gulf of Mexico (Carrera de las
Indias) and from Acapulco on the Pacific coast to Manila (Galeón de Manila or Nao de la
China) and eventually to China or Japan. The documentation and analysis of the spatial
movements of artifacts and their transformation along these ‚European-American-Asian
trails‘ allow for a new iconological investigation in a transcultural perspective. The time
frame for this endeavor is provided by the Iberoamerican colonial era. In 1815, just a few
years before almost all colonial territories became independent, maritime trade between
Acapulco and Manila ceased. Weiterlesen