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Events Lectures

Lecture: The Lives of Styles: Objects, Agency and Cultural Biography

Antonio de Pereida: The Knight's Dream, detail, Oil on Canvas, 1678, Museo de la Real Academia de Bellas Artes de San Fernando
Antonio de Pereida: The Knight’s Dream, detail, Oil on Canvas, 1678, Museo de la Real Academia de Bellas Artes de San Fernando

 

Prof Dr Caroline van Eck
Universiteit Leiden
Centre for the Arts in Society

London, 18 March 2015, 16:30
Warburg Institute
Woburn Square,
London WC1H 0AB

 

 

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Sources

Giovanni Bellini: The Saints Christopher, Jerome, and Louis of Toulouse (1513)

Giovanni Bellini: The Saints Christopher, Jerome, and Louis of Toulouse, 1513, San Giovanni Grisotomo, Venice.
Giovanni Bellini: The Saints Christopher, Jerome, and Louis of Toulouse, 1513, San Giovanni Grisotomo, Venice.

The painting of the Saints Christopher, Jerome and Louis of Toulouse in the church of San Giovanni Grisotomo, Venice, is one of the late works of Giovanni Bellini (1437-1516). It encapsulates several of the problems that are on the ‘Bilderfahrzeuge’ group’s mind.

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Events Other Events

Workshop: The Rhetoric of Images. Translating between Disciplines and Cultures

Bilderfahrzeuge Workshop

The Warburg Institute, 8-9 July 2014

Organised by Christopher Johnson (Bilderfahrzeuge Project) and Peter Mack (Warburg)

Speakers: Linda Báez Rubí (Bilderfahrzeuge), Mary Carruthers (New York University and All Souls College, Oxford), Christopher D. Johnson (Bilderfahrzeuge), Andrew Laird (University of Warwick), Peter Mack (Warburg Institute) and Johannes von Müller (Bilderfahrzeuge)

This two-day workshop aimed to explore how iconology can be understood through different forms of rhetoric, rhetoric that allows mobility between visual and verbal media, and across material, physical, geographical, cultural, and disciplinary spaces. These various forms of mobility, we propose, are not only mutually constitutive, but also can be illuminated by examining them in light of the theory and practice of rhetoric.

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Bulletin

Chiaroscuro: Renaissance Woodcuts from the Collections of Georg Baselitz and the Albertina, Vienna, Royal Academy of Arts, 15 March – 8 June 2014

The history of political images is indeed rich in topoi. One of them is the inseparable conjunction of Emperor Maximilian I (1449-1519) and early modern prints. Hence, it should not be a surprise to be welcomed by the Habsburg at the entrance of an exhibition of Renaissance Chiaroscuro Woodcuts. Under the title Renaissance Impressions: Chiarascuro woodcuts from the collection of Georg Baselitz and the Albertina, Vienna the Royal Academy of Arts, London, has assembled a selection of works either loaned by the Albertina, Vienna, or coming from the extensive private collection of the contemporary artist Georg Baselitz.

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