Conference: Botticelli

To coincide with the exhibition Botticelli Reimagined, this two-day international conference will explore our perception of Botticelli“s artistic practice, legacy and fame, as well as its impact and reception from fifteenth century to the present. Organized by the Victoria and Albert Museum in collaboration with the Warburg Institute and the Bilderfahrzeuge, this event will bring together international scholars to consider how the art of the past remains a principal source for contemporary practice.

This conference is generously supported by the Kress Foundation and the Italian Embassy.

London, 13 & 14 May 2015, 10.30 – 17.00

Buy tickets

Botticelli Conference Programme (as pdf)

NB: This conference is taking place at the Victoria and Albert Museum.

The Lydia & Manfred Gorvy Lecture Theatre

Victoria and Albert Museum

Cromwell Road

London SW7 2RL

Conference: Das verirrte Kunstwerk. Funktion und Rezeption vom Wege abgekommener ›Bilderfahrzeuge‹

Warburg-Haus, Heilwigstraße 116, 20249 Hamburg, 25.-26. April 2016

Jahreskonferenz des Forschungsverbundes »Bilderfahrzeuge – Warburg’s legacy and the future of iconology«

Organisiert von Uwe Fleckner, Elena Tolstichin und Isabella Woldt
Universität Hamburg, Kunstgeschichtliches Seminar

PROGRAMM

25. April 2016

Entführte Kunst / Abducted art

11.00 Uhr
Begrüßung und Einführung
Uwe Fleckner / Elena Tolstichin

11.15 Uhr
Strangers in paradise
Die Verschleppung byzantinischer Seidenarbeiter nach Sizilien
Johannes von Müller

12 Uhr
Kaffeepause

12.30 Uhr
Kunst und Feldzug
Artefakte als Beute im Alten Orient
Babette Schnitzlein

13.15 Uhr
(News) Stories from the Middle East
Removed artefacts, recycling, and the ethical agenda against illicit trade
Mirjam Brusius

14.00 Uhr
Mittagspause

Missverstandene Bilder / Misunderstood images

15.00 Uhr
The naked fetish
Carl Einstein and the Western canon of African art
Uwe Fleckner

15.45 Uhr
White skin, black masks
The native/exotic in Brazilian Modernism
Rafael Cardoso

16.30
Kaffeepause

17.00
Verhängnisvolle Mobilität
Das »Goldene Zeitalter« der Bildtapisserie
Isabella Woldt

26. April 2016

Transfer – Transformation – Translation

10.15 Uhr
Konversionen der »Religio«
Rekonstruktion eines bildgestützten Diskurses
Elena Tolstichin

11.00 Uhr
Metamorphosis of ruins
Some reflections on reconstruction practices around 1900
Maria Teresa Costa

11.45 Uhr
Kaffeepause

12.15 Uhr
Translation processes in the religious art of the early modern period
The mission in New Spain
Margit Kern

13.00 Uhr
Looking at the New Hispanic folding screens’ many faces
Iconic translation and transformation
Emilie Carreón Blaine / Linda Báez Rubí

13.45 Uhr
Mittagspause

Verschobene Objekte / Displaced objects

15.15 Uhr
Moving sculptures
Southern Netherlandish alabasters in Central and Northern Europe
Aleksandra Lipinska

16.00 Uhr
Building the Alhambra abroad
The Alhambra cupola in Berlin and other moving parts
Anna McSweeney

16.45 Uhr
Kaffeepause

17.15 Uhr
Expatriates, diasporic or common goods?
Variations of Islamic arts on display
Eva-Maria Troelenberg

Keynote lecture

18.00 Uhr
Memory, nostalgia, repatriation
Political claims on antiquities
James Cuno

Um Anmeldung bis zum 10. April 2016 wird gebeten (eva.landmann@uni-hamburg.de).

Warburg on Tapestries

by Isabella Woldt

My research project in the Bilderfahrzeuge group focuses on tapestries as mobile vehicles. The main investigation concerns the reflecting of Petrarch’s “Trionfi” in tapestries and discusses the textile as an instrument of the transfer of ideas and cultural contexts by the manufacture of elaborate materials like gold thread into the tapestry, for instance. The project arises from many years of study on the works of the Hamburg art and cultural historian Aby Warburg. Moreover, the term “Bilderfahrzeuge” has its roots in Aby Warburg’s research on tapestries. The essay below should encompass Warburg’s main discourse on that topic.

The term “Bilderfahrzeuge”, meaning ‚image vehicle‘, refers to Aby Warburg’s research on the “afterlife of antiquity”. Warburg investigated the process of the migration of cultural elements as a material embodiment of the function of human memory. He observed how these cultural objects implement expressions that are the result of the human process of memorising, and how through perception these objects evoke a creative process in the human brain, which produces new thoughts. Warburg asked and investigated how that process was organised and which elements were the most influential in that practice of creation, and he called those elements the “pathos formula”. Weiterlesen

Adjø, Matisse! Abschiedsfeier für ein migrierendes Gemälde

Oslo Ausstellung

Es wird gemeinhin angenommen, dass ein Museum die letzte Station auf dem Wanderweg eines Kunstwerks ist; allerdings gibt es auch Fälle, in denen es zum Ausgangspunkt einer neuen Reise wird. Das kann zum einen freiwillig, durch Verkauf, geschehen, zum anderen auch unfreiwillig, durch Plünderung im Krieg oder durch Raub. Nicht selten muss ein Kunstwerk aber auch deswegen weiterziehen, weil es vor seinem Eintritt in die Sammlung ein Beutestück war. Bei der Dame in Blau vor einem Kamin (1937) von Henri Matisse war das der Fall. Als der Gründer des Henie Onstand Kunstsenters (HOK) in Oslo das Bild vor über 60 Jahren erwarb, Weiterlesen

Congratulations #18: Hans Christian Hönes: „Die Geburt der Kunstgeschichte in England: Gottfried Kinkels Vorlesungen am University College London 1853“, in Kunstchronik 68.9/10 (2015), 487-491.

Congratulations to Hans-Christian Hönes on the publication of his article „Die Geburt der Kunstgeschichte in England: Gottfried Kinkels Vorlesungen am University College London 1853“.

The article presents a recent discovery, namely the manuscripts of the first ever lecture in art history at an English University. Hans Christian was able to identify Kinkel’s hitherto unknown draft manuscripts for this lecture among his papers archived at the University of Bonn.

For those of you who would like to learn more about this pivotal event in the history of British art history (and happen to be in London): Hans Christian is giving a Lecture on this very topic on November 19, as part of the UCL Art History Department’s Research Seminar Series.

Gottfried Kinkel: Lecture the second. The arts during the Middle Ages (UB Bonn S2705[6], 28)