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Congratulations #14: Pablo Schneider, ’Bild und Repräsentation. Charles Le Brun – premier peintre du Ludwigs XIV’, in Ute Jung-Kaiser, Annette Simonis (eds.) Die verzaubernde Kunstwelt Ludwigs XIV. – Versailles als Gesamtkunstwerk, Hildesheim: Olms, 2015, 157-192.

Ver003Congratulations to Pablo Schneider on his latest publication (volume information available here). His chapter describes the work of painter and art theorist Charles Le Brun for Louis XIV.

 

 

 

 

Charles Le Brun, 'Les reines de Perse aux pieds d'Alexandre dit aussi la tente de Darius', Public Domain, courtesy of Wikimedia Commons and the Google Art Project.
Charles Le Brun, ‘Les reines de Perse aux pieds d’Alexandre dit aussi la tente de Darius’, Public Domain, courtesy of Wikimedia Commons and the Google Art Project.

The premier peintre du roy was one of the most influential artists in seventheenth-century France and held significant responsibility for the public representation of the state. With his well known monumental picture Les reines de Perse aux pieds d’Alexandre (1660/1661) Le Brun created the central tableau of representation.

OpenEdition schlägt Ihnen vor, diesen Beitrag wie folgt zu zitieren:
Max Weber Stiftung (18. August 2015). Congratulations #14: Pablo Schneider, ’Bild und Repräsentation. Charles Le Brun – premier peintre du Ludwigs XIV’, in Ute Jung-Kaiser, Annette Simonis (eds.) Die verzaubernde Kunstwelt Ludwigs XIV. – Versailles als Gesamtkunstwerk, Hildesheim: Olms, 2015, 157-192. Bilderfahrzeuge. Abgerufen am 6. Dezember 2024 von https://doi.org/10.58079/pszr

Von Max Weber Stiftung

The Max Weber Foundation promotes global research, focused on the areas of social sciences, cultural studies and the humanities. Our research is conducted at ten institutes in various countries across the globe with different and independent fields of focus. Through our globally operating institutes, we are able to contribute to the communication and networking between Germany and our host countries or regions. By promoting academic dialogue and merging academic and non-academic employees from several countries with different cultural backgrounds, the Max Weber Foundation is able to strengthen the internationalization of research.

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