Conference: Botticelli

To coincide with the exhibition Botticelli Reimagined, this two-day international conference will explore our perception of Botticelli“s artistic practice, legacy and fame, as well as its impact and reception from fifteenth century to the present. Organized by the Victoria and Albert Museum in collaboration with the Warburg Institute and the Bilderfahrzeuge, this event will bring together international scholars to consider how the art of the past remains a principal source for contemporary practice.

This conference is generously supported by the Kress Foundation and the Italian Embassy.

London, 13 & 14 May 2015, 10.30 – 17.00

Buy tickets

Botticelli Conference Programme (as pdf)

NB: This conference is taking place at the Victoria and Albert Museum.

The Lydia & Manfred Gorvy Lecture Theatre

Victoria and Albert Museum

Cromwell Road

London SW7 2RL

Conference: Das verirrte Kunstwerk. Funktion und Rezeption vom Wege abgekommener ›Bilderfahrzeuge‹

Warburg-Haus, Heilwigstraße 116, 20249 Hamburg, 25.-26. April 2016

Jahreskonferenz des Forschungsverbundes »Bilderfahrzeuge – Warburg’s legacy and the future of iconology«

Organisiert von Uwe Fleckner, Elena Tolstichin und Isabella Woldt
Universität Hamburg, Kunstgeschichtliches Seminar

PROGRAMM

25. April 2016

Entführte Kunst / Abducted art

11.00 Uhr
Begrüßung und Einführung
Uwe Fleckner / Elena Tolstichin

11.15 Uhr
Strangers in paradise
Die Verschleppung byzantinischer Seidenarbeiter nach Sizilien
Johannes von Müller

12 Uhr
Kaffeepause

12.30 Uhr
Kunst und Feldzug
Artefakte als Beute im Alten Orient
Babette Schnitzlein

13.15 Uhr
(News) Stories from the Middle East
Removed artefacts, recycling, and the ethical agenda against illicit trade
Mirjam Brusius

14.00 Uhr
Mittagspause

Missverstandene Bilder / Misunderstood images

15.00 Uhr
The naked fetish
Carl Einstein and the Western canon of African art
Uwe Fleckner

15.45 Uhr
White skin, black masks
The native/exotic in Brazilian Modernism
Rafael Cardoso

16.30
Kaffeepause

17.00
Verhängnisvolle Mobilität
Das »Goldene Zeitalter« der Bildtapisserie
Isabella Woldt

26. April 2016

Transfer – Transformation – Translation

10.15 Uhr
Konversionen der »Religio«
Rekonstruktion eines bildgestützten Diskurses
Elena Tolstichin

11.00 Uhr
Metamorphosis of ruins
Some reflections on reconstruction practices around 1900
Maria Teresa Costa

11.45 Uhr
Kaffeepause

12.15 Uhr
Translation processes in the religious art of the early modern period
The mission in New Spain
Margit Kern

13.00 Uhr
Looking at the New Hispanic folding screens’ many faces
Iconic translation and transformation
Emilie Carreón Blaine / Linda Báez Rubí

13.45 Uhr
Mittagspause

Verschobene Objekte / Displaced objects

15.15 Uhr
Moving sculptures
Southern Netherlandish alabasters in Central and Northern Europe
Aleksandra Lipinska

16.00 Uhr
Building the Alhambra abroad
The Alhambra cupola in Berlin and other moving parts
Anna McSweeney

16.45 Uhr
Kaffeepause

17.15 Uhr
Expatriates, diasporic or common goods?
Variations of Islamic arts on display
Eva-Maria Troelenberg

Keynote lecture

18.00 Uhr
Memory, nostalgia, repatriation
Political claims on antiquities
James Cuno

Um Anmeldung bis zum 10. April 2016 wird gebeten (eva.landmann@uni-hamburg.de).

Conference „Hybrid Creations: Trade Between Europe, the Americas and Asia and Its Transcontinental Impact on Art in the Early Modern Age of Globalization“

Conference at the University of Bern, September 24 and 25, 2015

Organization and conception: Linda Báez Rubí (Instituto de Investigaciones Estéticas, UNAM/Project Bilderfahrzeuge, Warbung Institute, London) and Raphaèle Preisinger (Institute for Art History, University of Bern)

The emergence of maritime trade routes between Europe, the American continent and
Asia in the 16th century heralded a new era of economic relations that was characterized
by a vital exchange of cultural goods. Images of all kinds may be reinvestigated against
the background of trade between Europe, the Americas and Asia in the early modern
period. Two important trade routes linked all three continents during this era, the route of
the Portuguese India fleet (Carreira da Índia), which circulated between Lisbon and Goa,
Malacca and Macau and halted in the ports of Salvador und Rio de Janeiro, and the
maritime route proceeding from Spain to Veracruz on the Gulf of Mexico (Carrera de las
Indias) and from Acapulco on the Pacific coast to Manila (Galeón de Manila or Nao de la
China) and eventually to China or Japan. The documentation and analysis of the spatial
movements of artifacts and their transformation along these ‚European-American-Asian
trails‘ allow for a new iconological investigation in a transcultural perspective. The time
frame for this endeavor is provided by the Iberoamerican colonial era. In 1815, just a few
years before almost all colonial territories became independent, maritime trade between
Acapulco and Manila ceased. Weiterlesen

Workshop „Migrating Histories of Art. Self-Translations of a Discipline“

8 – 9 October 2015

Annual Workshop of the International Research Group Bilderfahrzeuge. Aby Warburg’ legacy and the future of Iconology at the Kunsthistorische Institut Florence

organized by Maria Teresa Costa and Hans Christian Hönes

wbg_bilingual

Aby Warburg: Bilingual Manuscript of „I costumi teatrali“, WIA III.42.1, fol [41] © The Warburg Institute, University of London

The workshop situates itself at the crossroads of art history and translation studies, exploring, for the first time, the problem of self-translation in the realm of art writing. One the one hand it seeks to provide a theoretical framework from Translation Studies, on the other hand it aims to offer case-studies from Art History and related fields, providing a unique and comprehensive overview on how a discipline defines itself through cultural transfers. Weiterlesen

Inter Arma Silent Musae?

Inter Arma programmeA lecture series examining art history during the First World War, organised by Pablo Schneider, of the Bilderfahrzeuge Group, began last week at the Humboldt Universitaet zu Berlin, bringing together academics from across Germany to consider developments in art history during these formative years. The programme will run until 15th July 2015. For more information and a full programme, click here.